I'm in!

After moving my drawing board into the new studio and building some Ikea furniture, I've started working in there proper. Slowly arranging my space so it feels right.
I decided against installing my huge drawing board. At around 1500mm x 1000mm, it's a bit of a monster and I'm unlikely to do any art larger than my regular board, which is half the size.

If I need to produce anything bigger, there's plenty of space for an easel.

From lively pencil to colourful art

I've not posted for a long time. My apologies. It's because I've been slaving away on designs I'm not allowed to show you. You probably thought I've been sitting on sunny riverbanks, dabbling my toes in the inviting waters while sunlight reflected from the ripples sends sparkling patterns across my face. This is England in February. Don't be daft!
Something I've been working on over the last few days is a series of illustrations for publication in the summer. One of the images provides an interesting comparison between the first scribble and the final piece.


I like the energy in this first pass. You can see how I was searching for the poses of the characters.











In the final piece, (well, almost final, it's not been approved by the client yet) while it might do the job required of it, I feel in converting it to vector artwork, it loses that lovely whooshy energy of the first sketch.

Even though the tiny pencil drawing is only 70mm wide, it's the one I'd rather hang on my wall. Maybe it's just me, but art produced via computer, no matter how incredible it is, will never have the same appeal to me as something produced by traditional means.

My Garden Studio Takes Shape

Since the components for my self-assembly garden studio arrived in early December, the weather has been too grim, wet and cold to do any assembly. My brother in law and I grasped the opportunity for what seemed like a string of rainless days (OK, a couple of showers slipped under the radar). The important thing is the bulk of the assembly is done and I now have a box with a roof.

There's still quite a bit of work to do and I don't expect it to be ready for a few weeks but it sure is looking good. I'm really keen to get in and start painting.

Adobe Illustrator, for a change.

The second part of this week was spent working on schematic diagrams for a new client, a sports equipment supplier. The idea is to show the layout and sequence of various pieces of apparatus and youngsters doing whatever activity is required for each piece. However, that could’ve been the pitfall. As soon as you start drawing children, you have all of the complications associated with covering all the bases – gender, race, hairstyle, fashion, disabilities, etc., etc. So, to prevent the whole project disappearing under tokenistic obstacles, I came up with a purple figure without gender or features. The ideal solution. Quite an adventure really, drawing something innocent instead of a cat doing bad things to a mouse, a hamster or a goldfish. It’s also nice to use the clean precision of Adobe Illustrator after so long using traditional artwork.



Still plenty left to make next week an adventure.

My food gives me the runs

A suggestion by Jon Blackford of Heritage Crafts led to this image.
I've always enjoyed puns and wordplay, so the combination of words and pictures afforded me by the adventures of Tiddles allows me to have a little fun.

It's like something from 2001 a Space Oddyssey

Like the black monolith in the film, but grey and lying down. Oh, and it's in my garden.
Taking off the timber shuttering from the concrete base for the new studio - I understand the term is 'to strike' - I'm impressed by the result. This doesn't mean a departure to my regular work. No monstrous pieces of concrete will be littering my portfolio, but it's good to do something I've never done before - and it come out OK.

The Garden Studio Project

I confess, I'm no gardener, so the sympathetic clearing of the area at the back of my garage to accommodate the new studio was hard work, especially since Dawn pointed out several plants that needed saving. Here was I ready for a slash and burn session but thwarted by having to keep some plants alive.
Anyway, three weeks ago, all cleared, potted, transplanted and a layer of beautifully broken paving slabs as hard core, I laid the concrete with the assistance of my brother in law, Chris. I needed to have the base complete because the building, which arrives in sections, was due for delivery this week and the base needs to have hardened enough to take the build.
All went surprisingly well.
The next stage is to remove the timber 'shuttering' from the concrete. That'll be a tense moment.


The layer of hardcore ready for concrete.


Two weeks after laying, the base looking good.

Creative Hinckley Website

The Creative Hinckley now has a proper grown-up website. http://www.creativehinckley.co.uk/
It's even got a picture of me somewhere in there using my jolly smiley face.



This is only the first phase of the website. The next step is to include individual showcases of all of our members, thus showing the breadth of creative talent pulsing and throbbing in this area.
It's going to be an exciting site. Come and visit us to see what we're up to.

The Worrier Done Good

The little painting I put into the open exhibition at the Ten2 Gallery was voted by the visitors to the gallery into joint third place.
It's the first time I've put any of my personal art out for public consumption and to be voted on at all is a nice feeling.
I'll have to find a space to hang the little fella now. Bless 'im.

A Studio in the Garden

For a long time, I've lamented the fact that I don't have enough room in my tiny studio to set up an easel or to have unfinished oil paintings hanging around for fear of smearing them as I move around. So, I've taken the bold step of having a studio in the garden. In a few weeks I'll be taking delivery of a wooden building to use as my studio. I'm going to keep any technology in the room where I am now, but move the majority of the messy and space-hungry art making operation into the garden. This will allow me to work closer to my wife Dawn as she works in her glass studio a few yards away. How romantic.
For several days I've been preparing the site with clearing plants and bushes, digging out soil and breaking up concrete for the foundation - all very physical.
Hopefully, it'll be operational by the end of the year - fingers crossed.

Studio Space Gathers Pace

The conversion of the Victorian hosiery factory into a hub of throbbing creativity is gathering pace. The project, or at least the renovation of the building, is scheduled to be complete late spring or early summer 2010. The development of the creative community won't end there, it'll roll on like an unstoppable leviathan. Ooh, that sounds too much like a game trailer.
The interior of the building , decades of paint and factory crud, is being sandblasted away to leave a clean interior - a blank canvas if you like - to accept its new role.














Also this week, the website for Creative Hinckley was launched.
www.creativehinckley.co.uk
This is phase one. The second phase will have individual pages for members allowing them to show their work, talk about themselves, run their own blog and eventually to sell their work from the site. All very exciting stuff.

Next on the agenda is to get the branding going. We have a name for the building, so we need to work on an identity. More of that another time.

My Chum Don Coker

Don Coker, a friend in Columbus, Georgia, after many years working in the newspaper business as caricaturist, illustrator, art director and designer, recently found himself out of work because of the global economic downturn. He now finds himself with time to develop a business as a freelance illustrator/fine artist. As part of the process, he's taken up something that I'd love to have the time for - he's going to paint a face a day - every day. Take a look at his blog at: http://www.doncokerart.com/blog/
He's already done some fantastic little paintings and each one is for sale - well, an artist has to eat, right?
I like sites that get updated regularly (yeah, OK, my isn't updated as regularly as I'd like but hey...)

Anyway, go and have a look at his stuff - often.
He's ridiculously talented and I really can't understand why the penny-pinching newspaper let him go.

By the way, that's not him in the picture.

A Private View

Last night I attended a Private View at a little gallery where a piece of my work was accepted for inclusion in an open exhibition. I mentioned a while ago about how I'd never put anything of mine forward for an exhibition - it never really crossed my mind. So, for the first time, a painting of mine is on the wall in a gallery, for sale and everything. It'd be rude not to go along and see it 'working'. Clearly a very popular moment for many people. It was a bit of a squeeze.
Too many people in not enough space isn't the way to appreciate art. Still, my lovely wife Dawn and me hung around and eventually the crowd thinned and we could get a better look at everything.
My little painting, 'The Worrier' (I won't bore you with another photograph - see previous posts) resplendent in sumptuous gold frame looks just fine among the bigger kids in the playground. I'm proud of the little fella. If anyone just happens to be passing, feel free to call in and see 'The Worrier' here:
http://www.ten2gallery.co.uk/Ten_2_Gallery.asp
Everything in the exhibition is for sale and there are some excellent pieces.

A Wet Weekend

I spent last weekend in Cornwall with a group from the TVR Car Club. I enjoy camping, so jumped at the opportunity to spend a few nights under canvas. It gave me the opportunity to spend a day with my good friend, artist Patrick Woodroffe. Patrick was a very busy illustrator when I was cutting my teeth as a designer and illustrator in the seventies and eighties. I always loved his work, so it was fantastic for me that we became friends. You can see some of his work here:http://www.patrickwoodroffe-world.com/index.htm

We spent the day catching up and walking around his home town of Falmouth. Lovely, lovely man.

Here also is a pic of some of the twenty or so cars that travelled down for the weekend. Mine's the dirty one in the foreground.

Bzzzzzz

Working away on the computer today, I a tiny movement out of the corner of my eye.
On my windowsill I have several mugs with pens, pencils, brushes etc.
A tiny black parasitic wasp (I assume, I'm no entomologist) about 5mm long, carrying something bulky, disappeared into one of the caps I put over some of my steel nibs to protect them, and me from getting accidental tattoos.
I tapped the pen holder and the bug flew out of the open window. Curious I lifted the lid to expose the nib to find about a dozen stunned aphids stuffed into the hollow at the base of the crowquill sized nib - food, I assume for the wasp's babies.
Some of the aphids were black and bloated, so I guess they were the ones with the eggs already inside.
Now, I'm an easy going guy, but I can't tolerate wasps nesting inside my tools, so I tipped the stunned aphids out of the window and their inevitable doom.
Am I a bad person? I think I can live with myself.

Furry Feline Fun

Even though I feel I'm racing ahead of a tidal wave of work and conflicting deadlines, I still like to squeeze in a quickie if I can. My chums at Heritage Crafts wanted to extend their range of feline embroidery designs, so on Father's Day last Sunday, I whacked out this shape in pencil and coloured it up in Photoshop over the next couple of days, snatching time between surges of other work. I would one day consider a more complex version of it and probably introduce a few more cats, perhaps in pen and ink. This version is deliberately quite basic because the image is always further simplified to be able to reproduce it in cross stitch.

Frustration

Just because you have a key, doesn't mean you get the treasure.

Fat Chunk 2 - Zombies Now Available

I'm one of the sixty or so artists contributing to the Fat Chunk comic anthology.
This, the second issue, has a zombie theme and one of its many pages has a piece by little me.
Apparently it's now available from comic stores and assorted outlets that peddle comic type stuff.
It's good to be involved with something like this that is so different from my regular work.
It's always good to wander off the regular path to smell the flowers.
Anyway, if you want to sample the delightful combination of zombie and comic - and can live with something that only has one page of me in it*, go and grab yourself a copy of Fat Chunk 2.
Go on, it's only little, I'm sure you can find space for it.

*I don't want anyone coming to me and complaining that they dashed out and bought it on the strength of wading through tons of my work - I contributed one page, that's all, but there's lots more pages of icky gooey zombification from heaps of talented artists from all over this lovely little planet of ours.

Something to worry about

A few months ago, during my first foray into using oils proper, I did a thing called 'The Worrier'.
Looking at it again, I realised that the subject hasn't got anything to worry about, so I added a few shadowy figures in the background and I'm pleased with the effect. The characters can represent anything the viewer wants - I won't make any suggestions. I think it's down to the individual to decide.
Here's an updated version.
In support of my local art materials supplier, I'm considering putting this tiny six and a quarter inch square painting forward for their summer exhibition. The problem is, the paperwork asks for a selling price. I'm terrible at putting a price tag on my work, so any suggestions are welcome.

Time Flies

Time flies - that sounds like an insect that I need to incorporate in a story or something.
Over the last few weeks I've been swamped by requests to produce some good old-fashioned graphic design work on the Mac. Having been working mainly in illustration and writing for the last seven years, it's been quite refreshing to do the kind of work I carried out for over twenty years. Meeting deadlines and delivering stuff on time has meant I've not had chance to work on any of my own projects.

One interesting development in recent weeks - my book 'The Boy with an Axe in His Head' has finally found its way into Waterstone's stores. Due to an administration hiccup, they were prevented from placing orders for the book.
All sorted now and the orders are coming in weekly.

Crikey

May already!
We had a meeting recently about the building that is being converted into a centre for creative excellence. The work is progressing well. The building is being made weatherproof so the interior work can begin in ernest - good old Ernest. At the meeting we were specifying details like how many electrical outlets to go in the workshops and where the radiators should go in the gallery space. All very exciting.
The project has also been cut. It looks like the handover will be late spring, early summer 2010, so it's full steam ahead.


I did some schematic diagrams in Google Sketchup to help the members of Creative Hinckley understand what's going where in the huge space. All the colours overlap, but this might give you some insight into the scale of the project.

Mary had a zombie

When my pal Jamie Smart asked if I'd like to contribute to the comic anthology Fat Chunk, I thought it an ideal opportunity to air an idea I had. A zombie version of the poem Mary had a little lamb.
It was this idea that led to the 'My Little Zombie' project I have in development, but this was a chance to share the idea in its essence.
I'll keep you posted of when the anthology is published. Meanwhile, here's Mary.

Feline Foibles

Our cats Tom and Poppy often bring us presents. I wonder how they decide which portion to eat for themselves and which to give to us.
Another thought I had - if cats rather than humans had evolved to be the the primary species, would they do something about their washing habits? Ewwwww!

Bumper Sticker Tiddles

A more compact approach - well, it saves me having to draw all those toes.

Covering all angles

Using Super Sculpey I blocked out a maquette of Tiddles' head for when I need to draw him from anything other than full face. The first attempt looked fine from the front, but the profile looked like he'd had an argument with a wall, and lost.
Since I'm only using this as a rough guide, I'm not going to get hung up on the detail, but it has to be worth a coat of paint, surely.

Identitiddles

If I'm going to bundle Tiddles up and present him to people, he should have a logo.
I tried a few images of cat flaps, paws and shredded fabric, but in the end, settled for this.

A Tiddle in public

A client, Heritage Crafts, asked me to spend a day on their exhibition stand at a trade show this week. I've done 'live art' sessions before, but they are usually spent at an easel with pencils and acrylics. The images I wanted to work on at the show were extending the range of Tiddles images. Tiddles art is coloured with acrylic inks with linework in black rollerball executed on the level because of the flooding of ink washes I like to employ to avoid too flat colour.

The day went well with people stopping by to chat and to see the images take shape.
I was pleased to leave with a couple of pieces to add to the Tiddles collection.
I'm hoping to expand the range with a view to getting Tiddles on greetings cards etc., but to do that, I have to make the images 'event specific', like birthdays, anniversaries etc.
More things for my 'To do' list.

For me? Thumbnail

Found it underneath some drawing board debris. Crikey, look at the size of that head!

For me?

It was my friend, Gemma Wegner's birthday on 31st January, so I did her a bit of art to mark the occasion.
I had no idea what I was going to produce until I scribbled out a quick thumbnail sketch, which is now buried somewhere on my drawing board.
The finished piece was done in pencil and watercolour at A4, perhaps one day I might have another go at it in a different medium.

Alchemy!

Believe it or not, until a few weeks ago, I'd never seriously used oil paint. Way back in Art School you'd think would be the obvious opportunity, but no. For me, any painting or drawing was done in acrylics or gouache, pastels, chalks, pencil, ballpoint pen, but no oils.
I've travelled the varied road of a creative career and produced a huge range of images and for some reason I never got round to experiencing oil paints.
Maybe two years ago, I decided I should give them a try, because, lets face it, oils have been the medium of choice for some magnificent art. So, I researched - possibly a little too much. I bought a range of what I thought I'd need, but that was when the confusion set in.

So far, the only liquid/medium I'd added to my paint of the moment was water. Suddenly, here was such a bewildering array of oils, turpenoids, dryers, retarders and accelerators that it made my head spin. Alchemy! That's what it is. I was confused and confounded. Which is the right combination for me to use? I studied books on the subject and not one book agreed with another and each went into greater depths of how to triple filter this and distill that. I just wanted to make some coloured marks on a canvas or board to see what it was like!
That was the crux. In any other endeavor, I'd pretty much waded in to see what happened. I should just do the same with oils. I spoke to my good friend James Ryman, a seasoned user of oils and also took the advise of Rose Allinson, my local art materials 'pusher' and educator, and using a combination of linseed oil and turpentine or Liquin as a choice of mediums, I got down to it.
I decided to dedicate my Christmas break 2008 to sampling the process and, even though the results will never grace anyone's wall, I really enjoyed the process.
I had three images on the go using a different approach to each.
Interestingly, the one I found most enjoyable was the more loose, slightly impasto style furthest removed from what I'd consciously produce.
I'll definitely be doing more with oils, once the deadlines and pressure of paying bills backs off a little.

The Minnie Mouse image is from a photograph on Deviantart, the face of the politician is from a newspaper image and the worried guy is from one of my sketches.
I make no excuses for quality or style - here are the results.
Minnie - 6.5"x7.5"
Politician - 10"x8"
The Worrier - 6"x6"

Masque with a dash of colour

Every time I looked at the angst-ridden mask wearer I wanted to add a little colour - so I did.
A little rough round the edges, but it'll do for now.

Interpret this

It is said that doodles can be interpreted as an indicator of the the state of mind of the doodler.
Last night, with no particular purpose, I was pushing the pencil around, and this image seemed to emerge from the shapes. It felt logical to go with it, so worked into it and made it more presentable. I wonder if the passing psychologist could have a look at it for me and tell me what it means.

Show yourself

Isn't there a theory that an artist will often include aspects of themselves in their work?
Why is it then, that when I have a brief break in the adrenaline and I have the temerity to have a doodle just for the sake of it, I will draw skinny naked guys?
Here's me, in reality making a fine job of looking like Captain Plumpy, and at a time when I could be absent mindedly revealing my true self, I do stuff like this? What's that about?
No doubt any passing psychologist could provide a rational answer.

If you know anyone, please drag them along to tell me what the deal is.

Not so Dark Satanic Mill

A few days ago, I went on a site visit to the old hosiery mill that is going to become the vibrant centre for many small creative businesses.
I mentioned a while back that I'd become a member of the steering group involved in putting the plan together and making sure it works. What started out as an excuse to drag myself away from the drawing board for a while has turned into quite an adventure.

The venture is really exciting. We're going to have an art gallery, studios and workshops for a wide range of creative processes. There will be rehearsal rooms and recording studios in the lower ground floor, a stylish cafe vibe on the floor above, performance space for intimate little gigs and a place where the resident artists, and those from the Hinckley and Bosworth area, will be able to offer their work for sale. There's also going to be a space to hold workshops for stuff like community art, teaching sessions or group events.
In addition to providing the space for fledgling and established artists to do their thing, there's going to be all the technology and business support to help everyone make a real go of building their passion into a successful business.
At the moment, it looks like it'll take a couple of years to get the place into shape, but I'll keep you updated as things move along.

The photographs show the outside of the building, the space with the folks in hi-vis jackets is the size of the gallery and the other image is the area that will become individual studio workspaces.

All very exciting.

A cat goes forth

Tiddles, the cat I drew for the first time a few weeks ago, seems to be running away with himself. The feedback I've had for him has been great and there have been wonderfully positive posts about him on various forums. My friends at Heritage Crafts asked me for another - apparently it was their intention to have a set of four Tiddles designs, however, such is the enthusiasm for the character, they want more so they can keep producing more of their cross stitch kits of him.

It's my intention to try and get him onto other merchandise. I just have to find the time to get him out to see people. I hope he's not hungry when other people meet him - it could get messy.

OK, so he may not be as cute as a fluffy kitten, but he's honest and doesn't pretend to be something he isn't. A bit like me, really.
Here's Tiddles the fourth.

Tiddles the third

The feline fiend makes a third outing.
I like it when words and pictures work together.

Word Play

Last week, I submitted some designs for Christmas cards. The client - a well known high street stationer, in response to my initial designs, asked perhaps could I provide some one-liner jokes and an accompanying description of the image. I realised at that moment that this particular client is more concerned with the text than the image - which is fair enough. At the same time, I baulked at the idea that I could be happy to deliver a gag without the image. For me, the two are a symbiosis - one cannot exist without the other. So, even though it meant spending far more time in getting my idea across, I continued with producing pen and pencil roughs with accompanying caption.
In recent weeks I've been putting quite a lot of thought to Christmas card ideas for specific areas. A by-product of which, while I'm tuned in to the whole festive vibe, I came up with this image.

Imagine if I'd captured that thought with this:
Caption: "Tiddles wishes you a very Happy Crisp Mouse"
Image: Cat holds a dead mouse on a skewer over a candle.
See what I mean? It takes away the impact, a little, don't you agree?
My chums at Heritage Crafts have since snapped up the design and have created a kit enabling you to do some festive stitchery - see http://www.hcrafts.com/new.html

The design has been so well received, they asked me to do another. Here's one I finished off yesterday morning. Interestingly, I had to draw thirteen different fish before I arrived at a couple I was happy with, but the cat came out right first time - weird.

Ding Diddle Ing Ding....

Special Agent?
A long time ago I had an agent. As I see it, an agent is meant to do all the legwork that an artist would do to sell their work if they weren't too busy being an artist.
Imagine doing a piece of work that you're quite pleased with and that you believe is suitable for some commercial application or another. What you have to do then is tell the commercial world what a loverly thing it is. So, you have to put your salesperson head on and start showing it around, discussing deals, applications, territorial exclusivity and a ton of other stuff that you have to do if you're going to benefit from your toils.
About ten years ago, my agent and me split because I was working like a nutter, but he wasn't doing all the twiddly things that he was supposed to.
I'm a busy little sausage and I know what Tigger does best, so this year, I decided I need someone to do the legwork for me. I found an agent in the form of Advocate (www.advocateart.com) that fits in nicely with the way I work. So far it's been very interesting and the work they've asked me to do is very enjoyable.
I never realised how far in advance companies prepare for Christmas. It's now October 2008. For the past few weeks I've been producing ideas for Christmas 2009. Talking about thinking ahead!
With global markets in freefall and banking systems crumbling, at least I can look forward to next Christmas!

Hamilton's Head

At any one time, I have several books in varying states of development. One that I'm currently working on is called 'Hamilton's Hiccups'.
Hamilton is a dragon who, as you probably already guessed, has hiccups, and asks the help of his friend, Tilly, to cure them.
To help myself with the illustration process, I sculpted a maquette of Hamilton's head.
It's so much easier to draw something in front of me than to try and imagine how he might look from any angle. The body will probably never appear in the same pose, so I'll draw that out as I go along. Meanwhile, here are a couple of photographs of Hamilton's head.

Whoops!

There are two kinds of tasks in life - 'Got to do' things and 'Want to do' things.
The key to a happy life is getting the balance right.

I had a letter from my accountant last Friday. In it he asked for my accounts for last year. Gulp! I'd completely forgot to do them and I was three months late. I've been too busy doing the things I wanted to, that it completely slipped my mind. Well, that was pretty much my weekend sorted. Crunching numbers and shuffling paper. Not the most fun I've ever had, but I got it done.

In this case, my 'Want to do's got in the way of my 'Got to do's and I suffered the consequences.

No Fish

Brilliant! No nasty fishy burps from my Sainsbury's Crumpets.
They must've changed the recipe.
I'm now looking forward to my breakfast in the morning.

Over recent days I've been practicing drawing characterful faces. For some reason they've been coming out long and thin, but they've been fun to work on.
I decided I'd like to add some colour digitally and wanted to try an idea I had.
When I paint with acrylics, I lay down a block of colour of the darkest tone of the subject, then progressively bring the tones up to the highlight - the opposite of working in watercolour where white paper is progressively overlaid with colour to arrive at the darkest tone.
I wanted to try the acrylic method digitally.
I scanned my drawing and created a separate layer in Photoshop to apply colour and went for it.
I deliberately kept the brushwork loose because I was just doing this to explore the process and didn't want to overcook it. I like art that keeps a look of energy, which is often lost on highly finished pieces.
I started a few days ago and showed my progress to my good friend James Ryman (www.jamesryman.com). At the time I'd used a purple secondary light from the right of the image and he advised I make it warm. So, tonight I continued with the image, taking James' advice. It works. He's called 'The Worrier' for obvious reasons.
I'm pleased with the result and will definitely explore the method further - when I get the opportunity.

Fishy Burps

I've just had two very nice crumpets for my breakfast.
While I stood in the kitchen, munching away, I looked at the list of ingredients printed on the side of the wrapper.
There was nothing in the list that might help me with a question that has bugged me for years - Why, if I eat crumpets for breakfast (or any meal, for that matter), a matter of hours later do I start burping fishy flavours?
I love eating fish, but I can confirm that no fishy substance has passed my lips for a while.

Let's see what today holds.

Free Biscuits!

Working from home is an odd existence. These days I seldom need to leave the house for business. I might have to walk 100 yards to the Post Office to send parcels etc., but other than that, I call someone if I need materials and most of my communication is via email.
So, it's all too easy to detach myself from the world and scratch away in my little bubble of self-containment.

A while back I saw an article in our local newspaper about a group of local professional creative folk who were working together to develop an old sock factory and turn it into a 'centre of creativity' and they were having a meeting to launch the scheme. I was intrigued. You mean there are other creative people in this area? They must have their own bubbles of existence, or maybe mine is double insulated. I decided I could do with getting out of the house for a while, besides, there was the added lure of a drink and some food, so I went along to see what kind of biscuits they had.

The meeting was interesting. There were far more and diverse creative people in my area than I'd expected. To cut a long story short, I put myself forward as a potential member of the committee. Me! I've never been on a flippin' committee in my life. Committees are what grown-ups do. Organised, rational people go on committees to be rational and organised.
The aim of the group is to bring together all threads of the local creative community and and use the old building as a place to do it. Proper community spirited and all that. A proper adventure outside my little bubble to be sure.
The food was nice too, but no biscuits as I recall.

The first committee meeting I attended turned out to be at the studio of a photographer I'd used many years ago for some work I needed for a brochure. He was a fellow committee member and our common involvement with photography proved a good icebreaker.

My first contribution to 'Creative Hinckley', for that's the name of the project, was to propose I did a corporate ID with which the group could represent ourselves.
The existing one had been put together by a member of the committee and it needed a little help.
Now, it's been a while since I did any ID work, but it's something I've always enjoyed, so I rattled out some ideas and Lo, we now have a logo.
Interestingly, a colleague on the committee showed my work to someone who needed an identity for another project, so I was asked to do something for that too. What's more, I got wonderfully positive feedback from him. It's always nice to receive a good response to stuff, whatever it is.

It's been really refreshing plunging back into the world of people. I'm even looking forward to the next committee meeting. At the last one we had chocolate biscuits!
At the first one I went to there was cake too!

I'll let you know how things go - outside my bubble!

I can do horses!

If you're familiar with my biography, you'll know I grew up with the notion that I couldn't draw horses. Well, wonder of wonders, I found out after all this time that I can draw horses!
I had a request from the charity Riding for the Disabled Association (RDA) if I could produce a piece of artwork for this year's Christmas card. They sell the cards to raise funds for their very worthy cause.
I have to admit, a shudder ran down my spine at the thought of doing anything equine.
My belief that horsey art was simply beyond my capabilities must've become so deeply entrenched over the years because I'd never actually been called upon to do any.
So, I looked at a horse or two and started sketching out ideas - Oh yeah, I forgot to tell you, it needed to be cartoony and, hopefully, funny.
I sent off two drawings as proposed designs, and waited.
The reaction was that the RDA liked both ideas and they would like to use one now and the other for next year's card. Brilliant!
Chuffed to bits, I completed the artwork and sent it off to the printers.
Samples and a letter of thanks arrived this week and I have to say, I'm delighted with the result.
As an extra way of the RDA raising some funds, I donated the artwork for them to sell. That'll be on eBay during the first week of December this year, so look out for it. I hope it goes to a good home and manages to raise a few pounds for the charity. After all, it's a very important piece of artwork for me - it means I can now say "I can do horses!"